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Tuesday, December 2, 2014

Christian Herman Cummings, Miriam Hanks-Todd at Michael Benevento

Christian Herman Cummings, Miriam Hanks-Todd at Michael Benevento

The smell of latex permeates the show, setting the scene in nausea unalleviated by the pepto bismal spread over pinkly over the desk, all adding up to a scrappy and roughshod abjection of framing, of frames' weakly pink made bodily in the dead flesh molding campy ventian blinds open to reveal doodled notations of a crude sexology, schematics, kid stuff in a Cronenberg version, a good show of gross stuff. Wounds as sex objects in the other room.