Pages

Thursday, July 23, 2015

Sarah Ortmeyer at Bodega

Sarah Ortmeyer at Bodega
(link)

Taking Ruff's indictment against photographic representation, Ortmeyer's opposes the anonymous objects of Ruff's DMV photographics with a more mythologic subject, a cultural signifier to whom our attraction is unbounded, orbiting a celestial beauty, a man of so much weight that his image begins to accrete its own reality shell, Beckham the cultural image extended so that we do know "him," the satin-soft shell casing of his unbirthed self, Beckham the silky hard image vs the soft subject inside.


See too : On Kawara at the Guggenheim , Thomas Ruff at S.M.A.K.