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Wednesday, November 18, 2015

“Play” at Tanya Leighton


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By bringing the others under Cesarco's distancing, they too have their discrepancy become a loss. The mismatched image/text of a Baldessari become numb, a Louise Lawler photograph no longer feels critical but sentimental, and Steinbach's rhetorical question floats with lost meaning, everything like dark ships passing in the night.