Group Show at Galerie Clages

(link)

A sort of encapsulation of current art. Cargo cult totems that we perform our art rituals upon. It might as well be magic what today's press releases claim. Incant. And wryly Werner's contraptions are the Rube Goldberg machines of art function, like Rachel Harrison and Jason Rhodes finally shaking hands - the factory, meaning disassembles and reassembles, semantically fractured, as content/aura. Art's ostensible value. The sign is material, the art is the machine for compositionizing them, meaning's byzantine Mouse Trap. 

See too: Antligature Rooms p.43, Cargo Cult

Alfred D'ursel at dépendance & Monika Stricker at Galerie Clages

(dépendance, Clages)

Hot monkey action day today at CAD. A sort of content of the night. With monkeys. But whereas one withdraws into dark heat the other goes full frontal - bearing all the fruits it can let hang out. A press release well to go with it:

"The depiction of a monkey actually always stands for something else, especially in paintings. Most of the time, monkeys act as a distorted picture of mankind, they articulate the tragic dimension of human existence, of life as a cultivated animal. Clearly, Rococo singerie painting only worked satirically ... Monika Stricker continues her engagement with the scrotum, which has now been going on for several years."

Exposing the nut of the matter doesn't diminish it. Turning on the lights doesn't necessarily let its content out. 

see too: Monika Stricker at dépendance