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Garner's parodic invention seems dark. Invention becomes the lash of capital, the driving force - internalized as self-flagellation, forced to invent, the jester marionette. Even Garner's description of gender transition is less dysmorphia than novelty, something to try, something new. The [novelty] artists are shackled to, forced to seek, find, commit themselves. Invention becomes survival, requires our renewal continuously, Sisyphean, invention a plea, please, allow my survival, make me interesting.
