Hadi Fallahpisheh at Efremidis

(Andrew Kreps, Efremidis)

There was nothing really "new" in Wade Guyton's rocket launch career. The "new" was a false-promise of a new technology for realizing old dreams, a printer for our unconscious. New tech, means, provides a look of promise, of advancement. And Fallahpisheh's more like Tala Madani's, better for its ancient and dumb themes in drawing dark projection screens. This is what drawing is. Old.

See too: Tala Madani at 303 Gallery, Wade Guyton at Academie Conti & Le Consortium, Tala Madani at David Kordansky

Hadi Fallahpisheh at CENTRAL FINE

(link)

Ah the virtualization of our white space made manifest with a blown out shutter. Letting the light in. That vertigo you feel when the floor falls out, little rooms traded for infinite white void, us floating. This is the world Fallahpisheh draws in photographically, would be the read here. But this is the world we all draw in, this is our world, this is just more literal.