Contemporary Art Writing Daily

( link ) The problems of material convergence remain testament that the world is not entirely plasticked. That you can't just glue anyth...

( link ) Lewitt seems to invent covers for books, images that contain a promise, alluding to some deeper richer story. Instead we get a p...

( link ) A career spent negating the photographic window, pressuring the viewer out, left at surface, like looking out a window and seein...

Click here to read Originally Posted: April 1st , 2017 Note:  This entry is part of August Review, our annual look back at this season’...

( link ) Every gallery has that painter, the stylistically performative running the permutations of their look. They’re fun, fine, you co...

( link ) What we aren't supposed to notice literally highlighted, brightly stripped, illuminated. Art's hanging hardware, the sea...

( Nancy Lupo at Kristina Kite ,  Yuji Agematsu at Miguel Abreu ) "Our growing attraction to garbage makes a psychologic sense as we...

( link ) Hermetic and self-contained. The line begins on the left and ends on the right. " Szpakowski worked in complete isolation,...

( link ) Miguel Abreu surrounds itself in a very distinct aura, it desires so strongly to be fictional literature, like a Borges labyrint...

( Sam Lewitt at Miguel Abreu ) Technocratic sculpture, symbols of technology and information as banners draped over the bones of the Unmo...

Jean-Luc Moulène at Miguel Abreu The inflated masks while brilliant, aren’t all that interesting to look at. Their dull plasticity on t...