Wednesday, August 21, 2019

Anna Zacharoff at Kantine

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PR: "Some might say that a dollhouse is an expression of scale. It is a domestic monument and an architecture of absolute control."

Which CAWD previously: "So artistic turns to dolls and miniatures and virtuality makes symptomatic sense: an expression of a need for control over a world we increasingly do not. There is a dissonance between our interior worlds which we find virtual and beholden to our godlike control of a drag/drop materiality conjuring sex in our glass or products from its depths. Digital desires that the physical world increasingly doesn't reflect. The model allows the physical world marionette to an invisible hand in which we trust."

"The Model becomes predominate as the world's point of scale becomes unmoored, and reality floating between the virtual and material conditions abstracted by floating points of enumeration etc. etc. The model encapsulates this world governed by virtual features, the planning, projected statistical everything, abstraction of everyday. Looking down at our hands the sphere of the earth is said to be at our fingertips. This abstraction feels lived in."

There is here though a clever inversion with the documentation, which turns the virtual plane, model, CAD, into an ouroboros en abyme. We float. We all float in here.


See to: Mathis Altmann at Halle für Kunst LüneburgMathis Altmann at Freedman FitzpatrickGina Folly at Ermes-Ermes

Tuesday, August 20, 2019

Lois Dodd at Modern Art


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Plainness feels like the fresh air it ostensibly depicts. A lightness. More like drawing. These paintings would have been passé 10 years ago's theoretics and assemblage, but some anachronism has happened. The world, its viewing, is already surreal enough. Even the world feels strange, tender.
Past: Nina Beier

"20th century Surrealism couldn’t have predicted how surreal the 21st would actually become. Like the floor on view here, the new virtuality of surface makes Magritte’s paintings a reality, a drag and drop images into the real..."

Nina Beier at Metro Pictures
Nina Beier at David Roberts Art Foundation
Nina Beier at Kunstverein Hamburg
Nina Beier at Croy Nielsen

Sunday, August 18, 2019

Alia Farid at Portikus


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Monuments to our plastic shackles, lifelines, supplying water and indenturing us to its machine. Where we were once attached to rivers, springs, we are not attached to some global complex. Like the "Plastics make it possible" ad campaigns, a journey through time, cast in plastic. Deeply ironic, no? Isn't the world itself a monument to plastic, and covered in it. Not entirely sure why we now monumentalize our pain, but art seems to enjoy masochism, it is "critical."

Friday, August 16, 2019

AR: Ghislaine Leung at Chisenhale

Artist: Ghislaine Leung
Venue: Chisenhale, London
Exhibition Title: Constitution
Originally Posted: March 28th, 2019
Note: This entry is part of August Review, our annual look back at this season’s key exhibitions. For more information, see the announcement here.
Past: ektor garcia at Cooper Cole

"...a very modern problem, our world, mediated by screens, the totality of which becomes enshrined in gallery or touch screen glass, and art is the world's development project in all the ways to surmount it, a materiality so strong it visually empaths itself, that we could actually feel something through glass. A "supernormal stimulus," exaggerated materiality that begins to look like fetish for."

Read full: ektor garcia at Cooper Cole

Thursday, August 15, 2019

AR: Ser Serpas at LUMA Westbau

Artist: Ser Serpas
Venue: Truth and Consequences, Geneva
Originally Posted: August 10th, 2018
Note: This entry is part of August Review, our annual look back at this season’s key exhibitions. For more information, see the announcement here.