Thursday, April 11, 2024

Sibylle Ruppert at Project Native Informant


We've run out of Giger works to flip so we dig a little further into the basement. A better basement perhaps. Less interested in the surface displays of a HD leathery seduction - than the intermittent potions of past styles, the Ernst, the Moreau, her Giger friend, into some flavor more disgusting than its parts. Hans Bellmer with better graphics, a better refresh rate. Giger had the the good luck to have his monster trophy become icon. These are more acid to dissolve the past into a possible formula. The formula is what most are searching for today. But these have more fun than running the endless permutations, seem devious in the idea. And a ray tracing way ahead of its time. 

Wednesday, April 10, 2024

 Past: Christopher Williams 

"But [Williams'] en abyme of institutional/self reflection requires discerning the navel's tea leaves. Otherwise it's just tying up the institution in your ornate slick personal knots to look at your button. Otherwise it's just kink. "

"Williams' institutional mirroring... also simply multiplies and reiterates its institutional halos."

All: Christopher Williams 

Tuesday, April 9, 2024

Ruth Laskey at Altman Siegel


A stitch denotes time, expenditure, so labor becomes a sweat condensing on its image, commitment to the geometric bit. You burn time to consecrate your image. Engrave it in the stone of labor. Lend time to meaning, to proof its beauty. 

"This separation of our social relations we've so completely assimilated that labor itself returns as fetishism, stitches mark this labor, look compelling, can be brought out onto white walls, as aura, as artwork. Labor itself becomes auratic, the look of it. Simulacra. Because every cheap objects is an equal tapestry. The stitches in time are smoother, hidden. Hold up your child's plastic toy and feel another at its end." - Read full: Notes on Stitches

Monday, April 8, 2024

Amelie von Wulffen at Barbara Weiss

The mud monster is real, is painting, boogeyman of the artworld, hiding on everyone's mind - it is the imago haunting art. "Painting is filled with horror, the calls coming from inside the house." Von Wulffen is drawing in the mud our repressed object. The diamond of painting remains in the rough. The best painters today, Euler, Eisenman, Churchman, von Wulffen, are cartoonists are heart. They are not in service to the church of painting. It's means to draw the world. In our mud of mirage. Painting is a stupid ghost to be haunted by, facet diamonds of. 

See too: Nicole Eisenman at Astrup Fearnley MuseetAll Amelie von Wulffen

Thursday, April 4, 2024

Lena Henke at Aspen Art Museum


Henke's usual proliferation of meaning is here made through the ventricles of framing, drawing a silhouette to alter the view. This isn't a turd morphing question of what the sculptor ate, (the diet exhaustively listed in the PR.) Rather it's framing. Even if it is relic stolen from cultural vegetable farm.

Past: Lena Henke -"Ambiguousness as a means for the simultaneity of surrealism. A tree sort of looks like a horse so we can put them together; a cloud can look like anything, much like a turd, some will see interest."

Wednesday, April 3, 2024

Ross Simonini at François Ghebaly


Painting's seminal rag congeals life, sentience, a progeny looking up at you pleading with neoteny, with those large watery eyes beg like babies swaddled for identification, for your care. A baby is a blackmail - you are its hostage: you wouldn't let anything this cute die. You wouldn't talk shit about art so helplessly adorbz, so needful. Would you? 
"Konrad Lorenz argued in 1949 that [cuteness] triggered nurturing responses in adults and that this was an evolutionary adaptation which helped ensure that adults cared for their children, ultimately securing the survival of the species. Some later scientific studies have provided further evidence for Lorenz's theory." 
So give your painting eyes, a face, a rattle, a googoo gaga. Oh look it's talking, the press release translates. Bring this artistic reproduction home with you today.

See too: Jon Pylypchuk at Petzel, Calvin Marcus at Clearing, "the scatalogic nappies of adult-child-brutes"

Tuesday, April 2, 2024

Valie Export at MAK Center for Art and Architecture


So much art demands the flesh obey, the body must be compositonalized. Picasso rearranges women into angles and we declare modernity. Higher powers command women El Greco, and several generations etiolate into pale heroin chic. You serve a higher purpose: conforming to beauty. There's a healthy dose of skepticism in the air, that the demands of art may serve no other purpose than watching people conform.