Contemporary Art Writing Daily

Click here to read Originally Posted:  April 21st, 2017 Note:  This entry is part of August Review, our annual look back at this seas...

( link ) Passive aggression, that everyone knows, that operates on the affectual level, sublingual, by screwing tone and denying the targ...

( link ) We could wish our communicado could find space for ethereal content, walls to text become brick to evoke a feeling rather than l...

( link ) The bedroom as terrarium, the girl as experiment. Gender as a construct has reached the mainstream, conservative clashes flare a...

( link ) Pulitzer creates dungeon mazes for its crawlers reading its signic runes, like prior commissions of artists' illustration ad...

( link ) Ceccaldi repeating the wearables. In the original exhibition their lightness and precarity made even the survey of their fragili...

( link ) Like Tetsumi Kudo's radioactive ecology, or Thek's plexi-flesh, Agematsu's warm materials of human cast-offs are rea...

( link ) Critics Picks were never meant to be reviews, and continually read more like Press Releases for artists ever-more disinterested ...

( link ) The end too is romantic, romanticized, see it here with the neo-ruins of culture. Gnam’s apocalypticism, a new PR sandwich boar...

Stefan Tcherepnin at Real Fine Arts Stefan Tcherepnin finally rid his Berlin support group-exhibitionary nest spreads wings solo in a bl...

Morag Keil at Real Fine Arts The real fine crowd seems all really want to impress on us their disgust with networks/working and the con...