Contemporary Art Writing Daily

( link ) A lullaby maneuver "...boredom, and layers, layers, layers. Layers of Boredom, Layers of Time..." Framing a show in bore...

( link ) Preferring not to, inhabiting the other, the parasite, etc, etc. In 1994 Heimo Zobernig was asked to make a design for the dust ...

( link ) Before CAD the largest vault of images were catalogs, expensive, locked in coastal university libraries. Acquiring them you woul...

( link ) Painting comes with a story, history attaches painters to moments and ideas, paint as reaction rather than paint, often rathe...

( link ) Attempting to short circuit the conduit/loop by placing tongue already in objects. The words inside my head are no longer mine. ...

( link ) Personally I think Epstein did kill himself.* But in an exhibition about contingency this is hardly the point. It's about e...

( link ) While Hupmphrey's gang has gone onto bigger better things, Humphreys doubled down on the stupid. Paintings like found in the...

“They seem big in the empty room. And they remind you of grandiose busts of important people. But when you approach the individual head, it...

( link ) Megerle's earlier drawings with all their provisionality, like comic book schematics for inkblot architecture, retain some ...

( link ) Wolfson made clear that Irony could be weaponized. And here a CSI spoof becomes Sirens' lure, showcasing the world as a way-...

( link ) Every Bacher work is its tombstone, the thing which represents its end, the last person remembering their name. The framing is...

( Elmgreen & Dragset at Statens Museum for Kunst )

Thomas Demand at Avlskarl Look Demand has subtly altered his practice. Look they’re big abstractions. Look they’re not that interesting....