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Thursday, October 29, 2015

Ajay Kurian at Rowhouse Project

Ajay Kurian at Rowhouse Project
(link)

Take a casino, and continue to supply power to it. With an insulation sprayer filled with soupy oatmeal, grass seed, and used band-aids in 40/40/10 mixture, spray in sporadic bursts over the interior. Turn to ON the produce misters piped into equal distribution throughout the casino's byzantine carpeted floor. Set the foggers on "Jungle." The aquariums should be clean. Open the amphibian cages, let loose several roombas. Animatronics from several Chuck-E-Cheeses should be stripped of their flesh and set in small pools of shallow water, still horrifically signing. When properly weighted the iPhones will levitate. Leave the faucets run. Scatter around the refuse of humanity. Allow ample wide fields of uncontrolled voltage to go unchecked from large gauge wires. Plug everything in. Lock the door and leave for 10 years. Upon the decade, proceed to cut up the architecture into small manageable sizes and distribute into white rooms of galleries over the entire continent to speak to the future. What is interesting is the names that these objects will fall under will have an endless micro-differentiation of aesthetics, have totally different meanings to them.

See too:  “Flat Neighbors” at Rachel UffnerHans-Christian Lotz at Christian Andersen,Yuji Agematsu at Artspeak“RR ZZ” at Gluck50Yuji Agematsu at Real Fine ArtsMathis Altmann at Freedman Fitzpatrick AltmannOlga Balema at Croy NielsenDavid Douard at Johan BerggrenNancy Lupo at WallspaceKatja Novitskova at Kunsthalle LissabonAnicka Yi at Cleveland Museum of Art, Transformer StationFlorian Germann at Gregor Staiger, Timur Si-Qin at Carl KostyálBen Schumacher at Musee d’art contemporain de LyonAnna Uddenberg and Nicolas Ceccaldi at MEGA Foundation Pamela Rosenkranz at Karma International“Being Thing” at Centre International d’Arte et du Paysage & Treignac ProjetMichael E. Smith at Sculpture Center