Wednesday, December 5, 2018

Elad Lassry at Le Plateau


I like in this documentation how extremely far away the artwork is. In all of it. Like stains on white walls. Like placeholders for art, tokens for the objects that should be there. Like setting quarter down in golf. This feels apt for Lassry, treating images as objects and objects as images, teases art for it commodity. The frame for the packaging, the metal that contains the thing printable by the roll.