![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaFgXrEs928QeyF0m0OMmR9rtaiYGEW6uM5As7Wbhcca0r80G1doroMoWv5EtDmRj4t4M0TkkCxjqYDuLfERbcIOeLXO7wWVIDX3bHOY-mh3BHS1y_Z93FfhntG5PdzftK1GSPAdvcQfR1/s640/Ryan+Gander+at+Kunsthalle+Bern.png)
(link)
There is a parallel between conceptual art and murder scenes. Not in the interpretation of clues, but of detective and conceptual artist turning a messy world into object, language, into document. Turn a world's blood and guts into evidence, into levers for the legal, testaments and a shared concern for documentation, certainty in measurement. Both the detective and the conceptual artist turn the world into a story, relying on aesthetic or truth, it's attempting one that you can get an audience to swallow, convince.