(ep. 1, ep. 2)
Disimages humor wasn't so much in its mockery of stock photography - they swore they weren't - but in making fun of artists: Dis, with an early understanding the growing need for artists to function as their own producers of stock-like images in an increasing pressure for artist's to make a striking singular image, mocked the artistic anxiety for image production that could handle anonymized displacement in the network, speak for itself images sturdy enough for dissemination in image aggregators like CAD, VVork and all those other tumblrs exploding. Both stock images and the artistic contain similar relationship of specificity and anonymousness, like promotional stills they allow a viewer to infer a few specific traits ("multicultural office", "Gallery sculpture") at the same time broad, blank enough to accommodate a viewer's own interpretations. Both stock images and many art images are as plain as they are inscrutable. An image like a handshake of the artist.
see too: Sherrie Levine at David Zwirner
