Monday, June 29, 2015

Linder at dépendance

Linder at de?pendance

Aside from Linder's more explicit deconstructions of advertorial gaze, its basic formal tool of blasting an object onto another, virtual imposition, like Orozco's cat tins on watermelons, a sort of conceptual slapstick in the mistreatment of subject, a surrealism so primitive its feels like powerful comedy.