Thursday, December 3, 2015

Jochen Lempert at Between Bridges


Taped like gift wrap to walls, the curling paper stresses the physical precariousness of silver held gelatin. Grain clinging like dust to paper; eyelashes etched into the silver they prevent from falling into the black iris behind it, which is poetic. The overt romance balanced not so much by an attachment to science, but just the basic desire to show: "Trained as a Biologist" it is easy to say that Lempert provides a sort of phenomenological augment to any scientific illustrativeness, that like Audubon who upset the world of avian illustration by depicting accurate birds in naturalistic motion (as opposed to the stuffed rigidity of classificatory diagram common to the time it) was realized you can learn two things about the world at once.