Monday, August 27, 2018

Philipp Timischl at Neue Alte Brücke


(link)

Timishcl's sculpturification of photography is on one hand full of cheeky little moments of puncture - the objectification, fetish, and bejeweling of hyper-beefed men who unwittingly take part - as well as the need to sediment the more transitory elements of photo and video in an object original. Louisa Gagliardi's pierced and vajazzled painting comes to mind. But then thinking of 2004 when Bjarne Melgaard and his lover shot up anabolic steroids and fucked each other and the resultant photographs were shown as I'm sure we've all heard Kelsey tell it. About the level of risk involved and who bears it in what situations. And how Kelley Walker was recently and finally taken to task for not really being able to answer questions about his appropriation of particular cultures, like pushing on the sliver he wanted to finally drew his blood. How it was no longer this cold cerebral thing, and art's problematization actually was problem, our carefree objectification.