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Everyone owes a big [x] to Benglis. The "unspecific objects." What made her outré from post-minimalism then is everyone's laurels today. The "theatrical," an excess of reference, too many things at once. I don't even mind the gold bronzini in the other room - sometimes you get to give yourself a trophy.
See too: Pamela Rosenkranz, "Bodily Innuendo", Nairy Baghramian, Ron Nagle at Modern Art
