![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdrHRud1y4QWe4chnti3XMjK87Q3NO-Kanlfcu5aJ1FAtigaHBzdp_RKH85Ht47wJC3F-JYgmE538_1kJKEDvMgP-zLGWRpkB5wQ3ZUVzEvETCYUFF4caIUPvZJQkADTsVKBKpIM65cVsX/s640/Mai-Thu+Perret+at+David+Kordansky.jpg)
(link)
"Féminaire consists primarily of two bodies of work: [...] figurative sculptures positioned on a single plinth and a gridded wall arrangement of dozens of ceramic wall pieces"
"Immediate physicality is also a defining feature of the ceramic wall works [...]"
"Beginning with uniform rectangular slabs, Perret uses her hands to distort the material into torqued, unpredictable shapes [...] interaction between the artist’s body and the clay that absorbs her actions."
Against the delicate humans reposed, a visceral deforming of material. The body torqued, crushed with fingerprint remnant, a single hole. The figures have guns. Buy whichever, the holed or gunned, you wish, people watching sublimated wounds happen.
See too: Mark Prent at Mitchell Algus, Mai-Thu Perret, Olivier Mosset at VnH