Tuesday, September 20, 2016

Natalie Czech at Crac Alsace


Like Annette Kelm, the advertorial method turns the photograph into a transaction flatly, a communication disposable, in which Czech's picture's refusal to mean, to sell, show the absurdity of such a transaction of your attention for its image, like a peacock preened without a sex to sell, its inanity comic.

See too:Annette Kelm at Meyer KainerAnnette Kelm at Gio Marconi