![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6IoGlKZyNHquM9f7fwlXu_tD9QjUr4VL4sEmXOYZyfPzemhVFsJGTnsVZN_EE3C4P5eiaOE4C0wNGSXMGePU2SphuuElQ1pPrWtDtBSyGrgnI8NIz1Cfp5PrRl7fid5Vz1BwNOvz8NNyN/s640/Natalie+Czech+at+Crac+Alsace.jpg)
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Like Annette Kelm, the advertorial method turns the photograph into a transaction flatly, a communication disposable, in which Czech's picture's refusal to mean, to sell, show the absurdity of such a transaction of your attention for its image, like a peacock preened without a sex to sell, its inanity comic.
See too:Annette Kelm at Meyer Kainer, Annette Kelm at Gio Marconi