"[The work's] banality incites questioning - disinteresting objects must expel interest elsewhere - and exposes its stage to skepticism - institutional critique. The inanity of such an operation might seem at the limits of humane interest, but Zobernig's magisterial ability to continually wrest insipid rabbits from hats irrupts a comedy at the depths of that hat.
"The dizzying aspect : the ability to lack any particularness whatsoever, terrifying blankness, genericness as phantasmagoria, projecting ghosts of modernism on the backs of our brains."
Read full: Heimo Zobernig at Kunsthaus Bregenz, Heimo Zobernig at Simon Lee, Heimo Zobernig at Indipendenza, Heimo Zobernig at Petzel, Krupp, MUDAM
