"the indulgence of style seems the point, the running theme throughout Ceccaldi's: oversaturation of 'content,' a new version of camp: 'ostentatious, exaggerated, affected, theatrical.' It's an blanket you put on things to make them appear new. You put dark fairy wings on young children, attach biomorphic toy-parts to video cameras, remake Beethoven with the signs of the dungeon dweller, paint it black and turn it upside down and suddenly people react to the affect rather than any individual content"
"Identifying not with the joker, but the losers who paint pictures of the joker."
Read full: Nicolas Ceccaldi at Le Consortium, Nicolas Ceccaldi at Real Fine Arts, Anna Uddenberg and Nicolas Ceccaldi at MEGA Foundation, Nicolas Ceccaldi at Project Native Informant, Nicolas Ceccaldi at Mathew, Nicolas Ceccaldi at Meyer Kainer
Read full: Nicolas Ceccaldi at Le Consortium, Nicolas Ceccaldi at Real Fine Arts, Anna Uddenberg and Nicolas Ceccaldi at MEGA Foundation, Nicolas Ceccaldi at Project Native Informant, Nicolas Ceccaldi at Mathew, Nicolas Ceccaldi at Meyer Kainer
