![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9ECWzMBu4tWiDvIqv-LzwULnVM9B_m_06pVcPkZEgLXBoIjQnDn9r3xBZN3zP0iNdqKbqnMrhxDC6U1D284xLEhVir7UXr2sxMg9p-ZJfeU6AlufPiilB5szpKAIuQAWECFCAjq-xMBGY/w640-h480/Issy+Wood+Trilemma+Carlos%253AIshikawa%252C+London+October+7+%25E2%2580%2593+November+20%252C+2021.jpeg)
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Lost in the glass of virtualization, surface itself become artifact. Becomes the valuable relic. Do you get it? Touch is lost, becomes pornography, feeling through image. It makes sense, Wood, a cataloger of surface matte, already a year ago described with phrases like, "rising" "growing rapidly" "up-and-coming talent" while these thing plummet - we want what is lost, or more importantly, about to be. Nostalgia for the current.
Also lol at the model standing 6 inches from the wall.
See too: Matte Representation