Rachel Rose Enclosure Pilar Corrias, London

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Weather you can turn on and off, affect detached from reality, a sunset in vial. The preservation of feeling. The embalm of sentiment. Painterly effects, a sun you unplug. Art, like the dandelion, becomes a tool for the storage and display of moonlight, sensation.

see too: Steve Bishop at Kunstverein Braunschweig, Pamela Rosenkranz at Karma International

Rachel Rose at High Art



Another render-stentialist fresh out Columbia somewhere between Trecartin and Atkins. So infatuated in the surface exhibiting the plasticity of a world in higher-definition than our own. The video is endlessly manipulative, bending in blitzkrieg assault of sudden weather, like phone phreaking surface effects of our emotive connection, they play like enchantments into us ecstatically, eroding any affective links with what is seen, hyper numbing, leaving the viewer estranged, cold as the real is endlessly manipulated like weather you can turn on and off.

see also: Ed Atkins - Render-stentialists