![Sarah Ortmeyer at Bodega](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXAjtSBfSWHqZoZCwO6YL3CD0cSbQZTuGTqcSBKUy3kfkOONviV-ueYqkz_JIfliLBlMbYCpHSgv5_Tgnu32j0shiqY43CK-KZ1QrV9TbM0NWAlgQKDHZN4kvMgsaBIztF69jjLwHuIsud/s1600/SARAH-ORTMEYER-KOKO-II-BODEGA-DAVID-BECKHAM-2015-06-800x534.jpg)
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Taking Ruff's indictment against photographic representation, Ortmeyer's opposes the anonymous objects of Ruff's DMV photographics with a more mythologic subject, a cultural signifier to whom our attraction is unbounded, orbiting a celestial beauty, a man of so much weight that his image begins to accrete its own reality shell, Beckham the cultural image extended so that we do know "him," the satin-soft shell casing of his unbirthed self, Beckham the silky hard image vs the soft subject inside.
See too : On Kawara at the Guggenheim , Thomas Ruff at S.M.A.K.