Tuesday, May 28, 2019

Rémy Zaugg at Nordenhake


Conceptual art's withdrawal as a form of authority, denial as a form of strength, austerity to prove control, an iron grip of anality. The fissure immaculately conceives something tight enough to be mistaken for diamonds. The bureaucrat dressed in white suddenly looks like a doctor, and latex hands prove reason for his digging. Attempts to confuse the situation by making you the subject.

see too: John Knight at REDCATJohn Knight at CabinetJohn Knight at Greene Naftali