![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFy1c-lf_ZIjVopNv1Vq6BkW8WoZMjzIvEi2KpLH-vox4CrkOF4FWc95yEOCAGGpigENBlwNhkA8Z4bOx4tWkKyJ8PFS9W2FTCxc4Ez7YjC7V4JVkPjOYFfqG4HjX5z9ftM_eCK000yTTu/w466-h640/Sandra+Mujinga+at+The+Approach+and+Angharad+Williams%252C+Mathis+Gasser+at+Swiss+Institute.jpg)
Remember S.O.A.P.Y? Remember Cameron Jamie? Sturtevant's carnival. The haunted house's continual slow rising but never quite crescendo. (It has to remain lo-budget somehow, for fear of turning to full amusement park.) Object's Friedian presence amped to hyperbole, almost comedy, but these don't seem intent on funny: the camp relief valve, that laughability post spookability, doesn't seem here. Good art is said to haunt you, and so maybe it's brute force attempting that.
Past: Mathis Gasser, Sandra Mujinga