(Zhao, Fauquet)
Two strategies in our current glass. One manifests an excess materiality as defense - declarative flag in mud. The other exacerbates glass. That we look through so much glass today has refracted art to implicitly shift around this invisible structure framing our experience: this why we see so much mud today, so many cartoons for instagram, so much iconographic surrealism with the depth of iPad. The world is viewed predominantly through these lenses, through lens, glass, 4k screen. Seeing Jasper Johns in person like viewing a woolly mammoth at the history center. "Oh they have art on computers now." We bend around and through it. We've been saying this for a while are you bored yet?
See too: Tony Conrad's Glass, Materialphilia, Federico Herrero at Lulu, Rose Marcus at Night Gallery, Hélène Fauquet at Edouard Montassut
