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"Plainly, Bantone is refusing the identification of your subjects and thereby refusing their exploitation."
Perhaps similar to Pope.L tensioning a joke without the relief valve of a punchline, instead airs uncomfort - Bantone's horror is actually mere refusal to assimilate with a more gentle color. It's obvious but armor against normalization always is, always needs to be?
see too: Pope.L; “Beyond the Black Atlantic” at Kunstverein Hannover (Sandra Mujinga),
