Meise's 15 years of reproduction of modernist tropes in awkward phrasings is, like Raoul de Keyser, its visual aberration: Meise's (or de Keyser's) irregulairty forces a recognition of their having been a regularity, a system of rules to which these avoid conforming. Aside from visual interest, allowing inference to see why these wouldn't have been acceptable then and are of interest now. Like, placing the thing outside the circle allows the circle to be seen at all.
Raoul De Keyser at Inverleith House
