Saturday, February 29, 2020

Nicolas Ceccaldi at Meyer Kainer


Joker was happy to stick the multiple prongs of its fork into multiple political hot sockets and see sparks. For reasons seemingly not much more than to see those sparks; political hot buttons becoming their own form of Hollywood special effects. The film's patheticness against its grand ambitions seems to mirror the main characters own, a sort of filmic meta-pathos. Identifying not with the joker, but the losers who paint pictures of the joker.

"becomes impossible to imagine an identity outside of cultural signs."

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