Thursday, October 21, 2021

Ghislaine Leung at Museum Abteiberg


The detective novel. evidence. monoliths. clue. diversion. Suspicion. Creep. examination under light. walls dusted for prints. reading for signs. to solve. to produce MEANING. a portrait, forensic psychology. But, you say, CAWD has railed against the viewer deputized as detective, making exhibitions as hunt for the story trailed clues. (i.e. That's a Kippenberger in a frame by Leung, the Beuys drawings have a history, the onions' backstory. The walls reveal writing.) And you, dear viewer, on the hunt. The goal of this art is to produce a meaning-like affect in objects. The greatest goal is a suspicion without end - a mechanized fount of art. On the other hand, It feels like we can get rid of all this, say these objects do not meaningfully add up, preferably, and still there is something here. A distinction important. What Hainley called "the affect and the sensorial in a tradition of conceptual or minimalist work." or question of "when is the smell coming from the item and when it is manufactured without the thing." Important:  a meaning not generally associated, a meaning dissociated. "an emotional response repeatedly evoked in situations in which the action tendency that is associated with the emotion proves irrelevant or unnecessary" causes desensitization. "WELCOME"

What Fatima Hellberg called Leung's "ambivalent logic spaces" - their care for us is dissociated- which is our general experience but which we are socialized to endure.  The replacement of [sensitivity, emotion, humanity, our utterance] with not necessarily colder forms, but more efficient. A provided more efficient sentiment. (A more efficient conceptual art? Museum space architecture as invisible socialization.) Made apparent by the continuous multiplying of forms, "Welcome", into a chorus of commodified sentiment. Signing "The Boss." Capital providing our utterances with balloons that kill turtles. ("The hospitalization of sentiment.") The socialization of space or more accurately that spaces are socialization. Now estranged. Ir-relational aesthetics?