![Luigi Ontani at Kayu](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgmS-WX8KdRbP9ljDEwGSODnVWs4GYOZSrLrz35W36sMcZTZkdELHoIZCvBkbwFrTFfLC6qAHmOO6Esaa1OD2_JNMRXZpw-Aufp6nODZ2mno8Ykp9brphjhuAkdpAMhNtBx3AYkX3_eNA/s1600/IdeTriBali_LuigiOntani_KayuLucieFontaine_2015_Bali_ExhibitionView_4-800x533.jpg)
![Rafaël Rozendaal at Postmasters](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5_iH5rHUiaE2Qj_Y-XiUqDCAu0rZ8rjH-0UzMJ1DDaGhSqLrWFOiAx7pnga2pKOThq3FLh37jb24C0urlLMEmd2motc07DmjXRCKaLHgI62b29tWAtzMhCYiAhDuLld3xuLveuxY5qDw/s1600/PMG2708-800x534.jpg)
(Kayu , Postmasters)
The sinister and infantilizing carnivalism of Höller's slide's exemplifies the mask that is "fun" art. The haiku's use their light and airy tic-tac cutery to ironize their ennui in contemporary tones, a verse to its unfun. Ontani's garish ornation play to their lurid Orientalist appropriation. 60's pop-art that explained that fun already contained its co-option, never to be seen by art again, that art precludes fun, and a thousand art objects like tombstones to its purity.
see too : Darren Bader at Kolnischer Kunstverein , Yuki Okumura at Misako & Rosen , Ugo Rondinone at Krobath , Pierre Huyghe at LACMA , Lily van der Stokker at Koenig & Clinton , Lily van der Stokker at Air de Paris