Past: Anna Uddenberg

"Uddenberg works with the obvious message that's unspoken, that you almost have to force, make explicit, that our cars look like tanned bodies...  there's a sexuality to the leather curves of car interiors.  ...  And everyone now tearing at couches to reveal our innuendo's innards, digging for the implication from the things that caress us."

"Uddenberg's recent sculpture are weirder than Jones' because they seem to emerge from the surrealism of culture itself, rather than the artifact of some dirty boy's head."

Full: Anna Uddenberg at Kraupa-Tuskany Zeidler, Anna Uddenberg and Nicolas Ceccaldi at MEGA Foundation