![Keiichi Tanaami at NANZUKA](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKYJZq04A2p3wqTsyijPML1454wCCkhEBVKebk4f877MWMvyVAarGwheRWQPM26yLEmiaIssP5yT-k7SgKQ4yYwg7_bdyLBRvLJ24H72ykXDQjVWkxSe5o65tFQPe-fcQI2CbcGQO8wQw/s1600/KT_10s_411-800x563.jpg)
The visual assault of these falling somewhere between Lari Pittman and Ed Roth. A Yakuza tattoo or A Fiona Rae orgy of style, uncomfortable in its over stylization. An irruption of subliminal psychedelic terror, mocking visual space in its demolition of it. A type of work pertinent in the age of overwhelming information, when looking at these feels a lot like opening one’s e-mail. A pleasure of the frenzy tinged in a sinking darkness. Holding some kind of abject unconscionable terror, sculptural nightmares.
The Frenzy of the visible, a hardcore visual. A violence of information.
Also, what is with artists of this generation and Mickey Mouse, with artist’s childhoods rendered so prominently mid-career.