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Uddenberg works with the obvious message that's unspoken, that you almost have to force, make explicit, that our cars look like tanned bodies, lingeried accoutrements, there's a sexuality to the leather curves of car interiors. Which like the bootied bits of Uddenberg's before all but force the issue: the mass majority of sculptural history's content sexual and unspoken by the MET's blue haired. And everyone now tearing at couches to reveal our innuendo's innards, digging for the implication from the things that caress us.
See too: Jessi Reaves at Bridget Donahue, Olga Balema at High Art (1), Olga Balema at High Art (2), Torbjørn Rødland at Henie-Onstad Kunstsenter, Anna Uddenberg and Nicolas Ceccaldi at MEGA Foundation, Caroline Mesquita at T293, Alexandra Bircken at Le Crédac & BQ, Nairy Baghramian at Museo Tamayo, Jessi Reaves at Bridget Donahue, Bergen Assembly, Katja Novitskova at Kunsthalle Lissabon
