Wednesday, February 13, 2019

Lena Henke at Bortolami


The pig got transformed into a literal low polygon mesh, a chainmail frozen ghost, as a print that misrecalls its form, like a misremembering of its german history (that the PR attempts reanimation of). Ambiguousness as the sort of vague myths that float through history, echoing as subliminal ghosts. Attach words to the things the PR says: "tray-sized vulvic rose petals"
Ambiguousness as a means for the simultaneity of surrealism. A tree sort of looks like a horse so we can put them together; a cloud can look like anything, much like a turd, some will see interest.

See too: Nina Beier at Metro PicturesRon Nagle at Modern Art,