Wednesday, September 23, 2020

Raha Raissnia at Marta Cervera


Contraptions to capture the "ephemeral," make it tangible - nets for the schools of fish-like light.  The sculpture sediments feeling into rock; the painter, paint. Ostensibly. We seem to value art for its packaging. At some points in history more ephemeral forms of art were prized, say, songs because we didn't yet have books, and so whether this is a symptom of capitalism or of art is hard to tell. Fish in the ocean do not generate value by swimming, but being collected, in parks or nets. As an entry ticket or its meat. A reservation for entry, a thing to be gathered around.