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Devotional paintings, with the spatial depth of the iPad's home screen, allusive uploading to metaphysical planes, and all those icons arranged across that plane, an interface for that extra-dimensional locale that we plug into - "projections broadcasting their qualities onto this plane" - as our discarnate selves: "the priest, like the painter, is perhaps the manager of both realms," which, like app developers, are the most contemporary paintings.
See too: Emily Mae Smith at Rodolphe Janssen, Julien Ceccaldi at Jenny’s, “Äppärät” at Ballroom Marfa, Jana Euler at Galerie Neu & Portikus, Julien Nguyen at Freedman Fitzpatrick
