![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoduEf2VubbhMcfdQbbEAKdOcgiKi25UmM6bh8NO-q-IIO85aTh_d8LVZ7kiZuK8_bwSIBVVxfCxO0Yo8Vw_YDDJMXAWR_acOMCy6Q7SoWvNheKQ1UwWvYaritjhZXJA4NTFL0SsTDxfzG/s640/Harumi+Yamaguchi+at+Project+Native+Informant.jpg)
1970s, duplicating Capital's techniques - with or without critique - that ubiquitous strategy of photography that would become postmodern legacy - the pictures generation - is all the more uncanny in painting, the craft of it, capitalist "realism" - more fantasy - making so apparent the latent desirous unconscious of the advert - the wrapping women in plastic like packages - all the surrealism that be made so stupidly apparent in Koonsian shine, years earlier.
See too: Peter Piller at Capitain Petzel