1970s, duplicating Capital's techniques - with or without critique - that ubiquitous strategy of photography that would become postmodern legacy - the pictures generation - is all the more uncanny in painting, the craft of it, capitalist "realism" - more fantasy - making so apparent the latent desirous unconscious of the advert - the wrapping women in plastic like packages - all the surrealism that be made so stupidly apparent in Koonsian shine, years earlier.
See too: Peter Piller at Capitain Petzel
