Tuesday, May 3, 2022

Hana Miletić at Basement Roma


Knitting being an embodiment of care. (Because knitting is so laboriously outmoded it can only be care, i.e. not capitalism, more love hours than can ever be repaid, etc. Knitting is the province of excess time, and attention, which translates to -anticapitalist- care) And so, now using knitting as a medium representing other forms of care/repair. Like hand grinding paint to depict a pencil sketch or whatever. A sort of redundancy, or analogy? Homology? Tautology? The point is there is effort-over-time in reproducing others attempts at care. Effort invokes effort. (The stitch marks time.)
"Why does "stitching" make a comeback? Impressionism's strokes showcasing its painterly labor. It had been that eventually genius embedded itself into the canvas, itself signifying "art," and blankness was fine. Does canvas no longer back painting's monetary value a priori? Do we need proof of work? Like the ornately etched lines of paper currency, making the labor of reproduction more expensive than the bill itself - proof of scarcity, value. Time equates to money. But now we have copy machines, CNC routers, childlabor and interns. Perhaps proof of work is just nostalgia for when there was infinite time, for when there was time. "
This separation of our social relations we've so completely assimilated that labor itself returns as a literal fetishism, stitches mark this labor, look compelling, can be brought out onto white walls, as aura, as artwork. Every cheap objects is an equal tapestry. The stitches in time are smoother, hidden. Hold up your child's plastic toy and feel another at its end.

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