Cooper Jacoby at N/A

(link)

Jacoby leaning into the art-as-props-for-sci-fi lets the objects get weirder, their ominousness more camp fun. Less didactic moralism toward a slasher film moralism - doom becomes burlesque, giddy, far more affective, effective. The plot is in the press release/text, the means to spin the ghost story. A movie called Ed 2, Keinholz returns.

 

see too: What the PR doesn't answer is why this doomsday is so fucking sexy - there's even a bench to tell you how hot your ass is. But hadn't we just realized global cataclysm was actually pretty fucking banal, refrigerated semis full of corpses just another byline in the inexorable spread of stupidity. This is like the hotrod version, the hollywood version. Lesson:  There is money in making the interior of our doom fun. 

Our world's end, celebrate it with a commemorative lamp, luxury mirroring your wealth's participation in it.