Monday, December 1, 2025

Jiang Cheng at Tara Downs


(link)

The 19th century's joke was painting faces positioned next to flowers and 20th century's joke was painting a face like it was flowers. Now what? A face is just the putty we rearrange in hopes of arranging something like meaning. An endless mine to profit from, our faces. Something we can pump. We're inordinately cruel to ourselves.

You can paint a face like a sunset. It will let you. Rearrange eyes, nose, mouth - a surgeon from hell, Picasso. Tyrannically bend people for aesthetics. These seem somehow more tender. Maybe its the close cropping, which take serious the surface, flesh, rather than rearranging a Mr. Potato Head. (Deleuze famously remarking that Bacon didn't paint faces but heads, meat.) Maybe it's this painting a face, painting it like a Monet, a low-irony too-serious painting for today, implying a minimum of self care. Artists finally part of the beauty industry, these look like it. Who doesn't want to look like a water lily?