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Enacting the post-apocalypse as a theater in the gallery of art has become tiresome like all those eco-disaster films, well trod, belittling, and a cudgel to the culture that gave it the cudgel. So many "post-humanist" practices enact on the culture the disaster they forewarn, how many fantasies of disasters until we are just living in a disaster. Like the high-end fridges embalming their putrescent content, disaster films produce their wastelands with hi-expense CGI, the paradox of fantasy, getting your cake and seeing it destroyed too, a symptom perhaps of watching those with so much cake that has been built upon the ruination of worlds, artists too want to ruin something and have it be forever preserved, another thing in a vitrine.
see too: Ajay Kurian at Rowhouse Project, Mathis Altmann at Halle für Kunst Lüneburg, Chadwick Rantanen at Secession, Kahlil Robert Irving at Callicoon Fine Arts, Melvin Edwards at Daniel Buchholz, “May the Bridges I Burn Light the Way” at STANDARD (OSLO), Nancy Lupo at Kristina Kite & Yuji Agematsu at Miguel Abreu, Dylan Spaysky at Clifton Benevento,Tris Vonna-Michell at Jan Mot, Matthew Zivich at What Pipeline, “Sylvanian Families Biennial 2017” at XYZ collective, Maggie Lee at Real Fine Arts, Brian Griffiths at Vilma Gold, Gina Folly at Ermes-Ermes, “Flat Neighbors” at Rachel Uffner, Hans-Christian Lotz at Christian Andersen,Yuji Agematsu at Artspeak, “RR ZZ” at Gluck50, Yuji Agematsu at Real Fine Arts, Mathis Altmann at Freedman Fitzpatrick Altmann, Olga Balema at Croy Nielsen, David Douard at Johan Berggren, Nancy Lupo at Wallspace, Katja Novitskova at Kunsthalle Lissabon, Anicka Yi at Cleveland Museum of Art, Transformer Station, Florian Germann at Gregor Staiger, Timur Si-Qin at Carl Kostyál, Ben Schumacher at Musee d’art contemporain de Lyon, Anna Uddenberg and Nicolas Ceccaldi at MEGA Foundation, Pamela Rosenkranz at Karma International, “Being Thing” at Centre International d’Arte et du Paysage & Treignac Projet, Michael E. Smith at Sculpture Center
