Thursday, December 26, 2019

Sean Landers at Rodolphe Janssen


(link)

We easily identify with cuteness, with the interminable wet-eyed critters of Disney, Pokemon, whatever latest commodified and neotenic rodent. Cuteness' pressure causing Pugs' eyes to bulge and esophagus to choke. (The stunted bone structure of Pikachu leaves him in constant pain.) And Landers' plaid animals, sad clowns, and now a pinocchio "plankboy" are the means of a lesser sort of identification. Landers' characters are not focus-group perfected. And their revulsion is "an effect of anticlimax created by an unintentional lapse in mood from the sublime to the trivial or ridiculous." Like Greek mythos for a plankboy or Moby Dick in flannel. The definition of bathos. Which Landers prances sad clown around. Landers paintings "arousing pity, especially through vulnerability or sadness," pathetic.


See too: Sean Landers at Friedrich Petzel