Simon Dybbroe Møller at Francesca Minini

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Dybbroe Møller's impregnated modernism, the dead objects and asubjective brushstrokes looking neat as ever but holding latent cultural baggage, objects not quite themselves but holding another. The directness of the objects visibility skewed by their overlay conceptual trojanism, peeling translucent onion skins of cultural overlays.

See too: Simon Starling at Museum of Contemporary Art Chicago