(Valérie Blass at Oakville Galleries, Atsushi Fukui at Tomio Koyama)
We aren't normally delivered the fantastical in such explicit forms. That tasteful hint of surreality mirroring our own world feeling deformed, malleable to invisible hands. Things feel pretty strange these days, so much so that fantasy surrealism almost feels quaint, safe. A big ornament in the sky feels relatively benign in that scientists - as a means to cool our planet - are researching global scale "stratospheric aerosol injections" of sulphuric acid. Spraying 5 million tons of acid into the sky as serious funded research, the world has become a cartoon where the actors wields huge mallets, and the world bends like goo to their violence.
