Contemporary Art Writing Daily

Pages

  • Contact
  • Support us
  • Office Notebook

Tuesday, July 19, 2022

Reina Sugihara at Misako & Rosen


(link)

A deployed ability to resemble. Allude. Hint. Vaguely suggest. This makes an inkblot.  I see a nightmarish tide pool with deep crabs and horror. You see Arthur Dove and your mother. A dark pool for a viewer's reflection. A John Marin watercolor, a corpse of something expensive. 

"But Dohi's resemble, recall unplaceable things, which is our politics now. Resemblance was dirty back then, we wanted purity in forms, because clouded abstraction led to impure thoughts. Why do we desire allusive formalism now? Fecteau, Baghramian, Balema, Nagle, et al. Is still a latent surrealism? The shifting space of ambiguous 'clouds' saying that one looks like a rabbit but never knowing it."

Suggestions: Vincent Fecteau at greengrassi, Vincent Fecteau at Misako & Rosen, Lui Shtini at Kate Werble, Ron Nagle at Modern Art, Nairy Baghramian at Walker Art Center?, Nairy Baghramian at Museo Tamayo, Nairy Baghramian at Marian Goodman Larry Poons at Michael Jon & Alan, Lucy Bull at High Art, Olga Balema at High Art, Olga Balema at High Art (2)

Labels: Misako & Rosen, Reina Sugihara, Tokyo
Newer Post Older Post Home

Popular Posts

  • Jan Kiefer at Swiss Institute
    ( link ) You're on lockdown, staying in. The Swiss Institute is closed. The food only being delivered. You log on to www.contemporary...
  • Nina Porter at Theta
    ( link ) The mad scientist is driven to the fringes to invent something "against god." A monster. To surreptitiously photograph gi...
  • Kobby Adi at FELIX GAUDLITZ
    ( link ) Conceptual art mutated into three genres, 1, zombie abstraction; 2, art legalese, say Cameron Rowland or Daren Bader/Martin Creed; ...
  • Kayode Ojo at Maureen Paley
    ( link ) 2006? Carol Bove, Martin Boyce, Patrick Hill, Michaela Meise, et al. VVork-core. "All the chatter about a 'new formalism...
  • Megan Plunkett at Dracula's Revenge
    ( link ) Because its deputizes us detectives, which gives hope. "A mystery! A mystery! Where can I lay meaning?"   "[Art] is ...

Search

Archive

  • ►  2025 (31)
    • ►  June (4)
    • ►  May (27)
  • ►  2024 (72)
    • ►  May (4)
    • ►  April (18)
    • ►  March (3)
    • ►  February (12)
    • ►  January (35)
  • ►  2023 (298)
    • ►  December (26)
    • ►  November (25)
    • ►  October (18)
    • ►  September (21)
    • ►  August (18)
    • ►  July (23)
    • ►  June (34)
    • ►  May (29)
    • ►  April (31)
    • ►  March (30)
    • ►  February (23)
    • ►  January (20)
  • ▼  2022 (283)
    • ►  December (23)
    • ►  November (26)
    • ►  October (21)
    • ►  September (19)
    • ►  August (33)
    • ▼  July (22)
      • Lili Reynaud-Dewar at Layr
      • Past: Pope.L "but the joke dissipates and the pun...
      • Yuki Kimura at Kunstverein für die Rheinlande und ...
      • Past:Yuki Kimura "Glass which we don't really see ...
      • Past: Sarah Ortmeyer "...a celestial beauty, a ma...
      • Matthew Angelo Harrison at MIT List Visual Arts Ce...
      •  Past: Hadi Fallahpisheh"the virtualization of our...
      • Past: Ida Ekblad "Paint coagulates, a crust like...
      • Past: Klara Liden "At best Liden's 'examinations ...
      • Reina Sugihara at Misako & Rosen
      • Zak Prekop at Galería Marta Cervera
      • Past: Zak Prekop"The preponderance of overly taste...
      • They come three, four, at a time. Zebra hard to ch...
      • Past: Jana Euler"The image today a total malleabil...
      • Chadwick Rantanen at Bel Ami
      • Peter Wächtler at dépendance
      • Past: Peter Wächtler "... an Edenic earnestness a...
      • Past: Ann Craven"A disposability, amassment, like ...
      • Past: Steve Bishop at Kunstverein Braunschweig"Nos...
      • Anne Imhof at Galerie Buchholz
      •  Past: Anne Imhof"... It's hard to watch bodies ad...
      • Certain Dinners
    • ►  June (25)
    • ►  May (20)
    • ►  April (21)
    • ►  March (27)
    • ►  February (21)
    • ►  January (25)
  • ►  2021 (274)
    • ►  December (30)
    • ►  November (23)
    • ►  October (20)
    • ►  September (23)
    • ►  August (11)
    • ►  July (26)
    • ►  June (22)
    • ►  May (20)
    • ►  April (28)
    • ►  March (22)
    • ►  February (24)
    • ►  January (25)
  • ►  2020 (326)
    • ►  December (28)
    • ►  November (21)
    • ►  October (21)
    • ►  September (28)
    • ►  August (32)
    • ►  July (26)
    • ►  June (29)
    • ►  May (28)
    • ►  April (34)
    • ►  March (26)
    • ►  February (29)
    • ►  January (24)
  • ►  2019 (310)
    • ►  December (27)
    • ►  November (28)
    • ►  October (30)
    • ►  September (25)
    • ►  August (30)
    • ►  July (26)
    • ►  June (26)
    • ►  May (24)
    • ►  April (23)
    • ►  March (25)
    • ►  February (20)
    • ►  January (26)
  • ►  2018 (328)
    • ►  December (28)
    • ►  November (26)
    • ►  October (25)
    • ►  September (25)
    • ►  August (41)
    • ►  July (26)
    • ►  June (27)
    • ►  May (28)
    • ►  April (30)
    • ►  March (24)
    • ►  February (24)
    • ►  January (24)
  • ►  2017 (317)
    • ►  December (25)
    • ►  November (24)
    • ►  October (26)
    • ►  September (18)
    • ►  August (39)
    • ►  July (29)
    • ►  June (25)
    • ►  May (31)
    • ►  April (24)
    • ►  March (28)
    • ►  February (25)
    • ►  January (23)
  • ►  2016 (331)
    • ►  December (28)
    • ►  November (20)
    • ►  October (21)
    • ►  September (25)
    • ►  August (45)
    • ►  July (30)
    • ►  June (27)
    • ►  May (25)
    • ►  April (26)
    • ►  March (26)
    • ►  February (28)
    • ►  January (30)
  • ►  2015 (370)
    • ►  December (25)
    • ►  November (26)
    • ►  October (31)
    • ►  September (30)
    • ►  August (53)
    • ►  July (33)
    • ►  June (27)
    • ►  May (30)
    • ►  April (31)
    • ►  March (27)
    • ►  February (28)
    • ►  January (29)
  • ►  2014 (175)
    • ►  December (27)
    • ►  November (28)
    • ►  October (32)
    • ►  September (29)
    • ►  August (26)
    • ►  July (23)
    • ►  June (10)
Powered by Blogger.